Rushmore by way of Clockwork Orange. The violence in the final 10 minutes hasn't aged well in the days of actual school violence -- but otherwise, a decent flick. Malcolm's '60s British prep-school get-up is still on point. As well as the lovely Christine Noonan. And that sweet-looking BSA motorbike he steals.
May 25, 2010
1968: Malcom McDowell in if….
Malcom McDowell [5’8”] in his debut role: Lindsay Anderson’s 1968 feature film if....
Rushmore by way of Clockwork Orange. The violence in the final 10 minutes hasn't aged well in the days of actual school violence -- but otherwise, a decent flick. Malcolm's '60s British prep-school get-up is still on point. As well as the lovely Christine Noonan. And that sweet-looking BSA motorbike he steals.
Rushmore by way of Clockwork Orange. The violence in the final 10 minutes hasn't aged well in the days of actual school violence -- but otherwise, a decent flick. Malcolm's '60s British prep-school get-up is still on point. As well as the lovely Christine Noonan. And that sweet-looking BSA motorbike he steals.
May 19, 2010
Thom Yorke
Thom Yorke [5'5"] and much taller photog
Been a Radiohead fan since day one. Despite the odds at the time. I was big into punk in high school, and “Creep” was in heavy rotation on that much-hated (but secretly watched) bastion of corporate rock, MTV.
I liked it. Sort of in an ironic, tongue-in-cheek way. But I liked it. It had a certain I-don't-know-what. My good friend Corey went so far as to dub that single over and over again on both sides of a 60-minute cassette. Half ironic, half serious. I think Side B was the ironic side.
Another friend and I spent a lot of time trying to find another halfway decent song off of Pablo Honey to play on our show at the local college's radio station (that broadcast from a puny 10-watt tower). Pretty hard to do. “Anyone Can Play Guitar” was the closest contender, but it paled. One-hit-wonders...
May 12, 2010
Leo Castelli, Pope of Pop
Leo Castelli [5'6"] had a reputation for being a dapper dresser. He also had a rep for being the man who single-handedly "revolutionized the status of the artist in
America and changed all the rules of the art market," according to Leo and His Circle, the forthcoming bio by Annie Cohen-Solal.
Here's a take by some artist buddy of his:
Who says short guys shouldn't wear double-breasted suits?
Google Image Search the guy. In almost every shot, he's either off-center at the bottom of the frame...
Sitting down while famous painters tower over him...
Surrounding himself with the very tall...
Behind, beneath or otherwise dwarfed by one of his gallery's large works of art...
Or trying his best to appear shorter than even himself...
"I don't like it when people say that I'm diminutive. I'm small, but not diminutive."
Here's a take by some artist buddy of his:
Who says short guys shouldn't wear double-breasted suits?
Google Image Search the guy. In almost every shot, he's either off-center at the bottom of the frame...
Sitting down while famous painters tower over him...
Surrounding himself with the very tall...
Behind, beneath or otherwise dwarfed by one of his gallery's large works of art...
Or trying his best to appear shorter than even himself...
"I don't like it when people say that I'm diminutive. I'm small, but not diminutive."
--Leo Castelli
May 10, 2010
Tony from Michael Apted's 21 Up
Title shot from the third installment of Michael Apted's documentary series Up! If you squint hard enough, Tony's sitting in the upper right corner of the 'one.'
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